Cleveland Shakespeare Festival’s Romeo and Juliet

Last Friday, I ventured to the other side of the world, or rather Tremont, to see Romeo and Juliet. My friend and I sat in lawn chairs eating sandwiches from Potbelly as we waited for the play to begin. I had noticed last year when I saw two comedies, Measure for Measure and Two Gentlemen from Verona that The Cleveland Shakespeare Festival is the perfect way to see comedies. This held true at A Midsummer Night’s Dream. I wondered, though, if the same would hold true for Romeo and Juliet.

The play had a bit of a stilted start. The production inserted the word “heights” into the Chorus prologue, and the fighting to start off the opening scene was awkward and bit boring.

Fortunately, this changed with Romeo’s appearance. Romeo was by far the best performance of the play. Indeed, the young actor played one of the best Romeo’s I have ever seen. There was something very open and honest in his performance, it was simple in the right way. He did what I previously thought impossible; he made me feel sorry for Romeo. More than that, he made me like Romeo.

Romeo pilgrim scene

I wish I could say the same about Juliet. Juliet’s performance, for my money, was wanting. The exuberance of young love was lacking in her performance. It may be difficult, at first glance, for young readers to gleam Juliet’s youthful giddiness from the text. While the language in Romeo and Juliet is inferior to the poetry of The Winter’s Tale The Tempest, and many other plays, it is still far grander and richer than everyday speech. (It was in 16th century England as well. This is poetry. The average London peasant did not speak exactly the way that Shakespeare writes.)

I would be remiss if I did not point out the shining part of Juliet’s performance. Before Juliet drinks the poison, she has a soliloquy detailing her fears and second thoughts about what she is about to do. I had not heard that soliloquy in many years and it is frequently cut in some productions. When she spoke the lines, I found myself visualizing the crypt in which Juliet would rest with Tybalt’s ghost rising up before her eyes. My friend called it “the good part of her performance.”

As for the others, there were some good performances, though none as stellar as Romeo. I particularly enjoyed the nurse and Mercutio. The actress who played Mercutio just finished performing Puck in A Midsummer Night’s Dream, and she brings much of the wit and charisma that she brought to Puck. Friar Laurence is a favorite character of mine (I consider the play Friar Laurence’s tragedy in many ways.) and the actor brought the sage of a mentor to the role, though at time he could not tap into the emotion that Friar Laurence feels at various points of the play.

10356227_10152181463206615_3822951729162094819_n

There were a few complaints about the production. Most of all, the director never fully decided on Mercutio’s gender. In the play, Mercutio is a boy but Mercutio in the play was played by an actress. This does not bother me in any way. However, the actors referred to Mercutio as both “he” and “she.” This was incredibly distracting to me and such a silly oversight.

On the whole, this was still a moving production of Romeo and Juliet, in large part due to the actor who played Romeo. For the first time, I felt as though I was truly able to go on the journey with him, as actors would say. I felt for Romeo without judging him and genuinely mourned his death. This coming weekend is the last weekend of Cleveland Shakespeare Festival’s Romeo and Juliet, and I urge everyone to see this portrayal by a fine young local actor.

Oh, to end on a light note, I present Thug Notes summary and analysis of Romeo and Juliet.

Advertisements
This entry was posted in Uncategorized and tagged , , , , , , , , . Bookmark the permalink.

2 Responses to Cleveland Shakespeare Festival’s Romeo and Juliet

  1. Cody Kilpatrick Steele says:

    I’m the actor who played Romeo in this production, and I just have to say thank you so much for all the kind things you had to say about my performance. This was my first time every doing Shakespeare, and I joined the company with only 3 weeks of rehearsals left. Reading how my performance moved you really makes all the hard work I put into this show worth it. 🙂

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s